FULBRIGHT AWARD TO THE SMITHSONIAN INSTITUTION
As a Fulbright Scholar, I will build networks and collaborate with US educational academics and practitioners such Parsons New School of Design to better understand how arctic fish skin craftsmanship can be developed in higher education.
The use of fish skin for the construction of garments and accessories is an ancient tradition in Arctic coastal societies and there is evidence of fish leather production in Scandinavia, Alaska, Japan, northeast China and Siberia.
The research that Elisa Palomino is doing through her PhD studies at London College of Fashion’s Centre for Sustainable Fashion is an interdisciplinary study of indigenous Arctic fish skin heritage, building connections between anthropology, ethnography and environmental protection to address global issues of fashion sustainability and the impact that our human activities are having on the planet.
The use of fish skin by Arctic people has recently been assimilated as an innovative sustainable material for fashion due to their low environmental impact. Fish skins are sourced from the food industry, using waste, applying the principle of circular economy. This research is a material-based exploration linked to socially responsive design innovation and knowledge transfer based on Education for Sustainable Development.
The research investigates the sustainable use of local resources from raw materials to craftsmanship and local knowledge through participatory design practices between fish skin artisans and Fashion HE students. The workshops created by the researcher are case studies where traditional fish skin tanning methods and material samples have been developed. Experienced artisans have passed down the fish skin craft to the next generation of students from universities where traditionally fish skin was developed (Iceland, Denmark, Sweden, Finland, Japan, China and Alaska). The methods of sustainable material engagement and the teaching-in-the field approach are recommended as transferable skills for alternative fashion educational models. The workshops demonstrate how the indigenous fish skin knowledge -in partnership with sustainable design strategies- can connect people to their culture, communities and the environment.
https://www.arts.ac.uk/study-at-ual/postgraduate-study/postgraduate-community/stories/lcf-phd-student-elisa-palomino-receives-a-fulbright-award-to-the-us
- UAL TACKLING CLIMATE ISSUES
- SMITHSONIAN OCEAN MAGAZINE: FISH SKIN
- LCF PHD RESEARCHER PROFILE: ELISA PALOMINO
- SMITHSONIAN MAGAZINE FISHSKIN
- INNOVATION IN THE NORTHERN DIMENSION COUNTRIES
- FISH SKIN A HISTORICAL MATERIAL
- YOMIURI SHIMBUM FISHSKIN
- ELISA PALOMINO HORIZON 2020 FISHSKIN CONSORTIUM
- BRINGING FISH SKIN TO MARKET
- UAL MEET ELISA PALOMINO
- TEXTILES, IDENTITY AND INNOVATION
- HAKAI MAGAZINE
- ARCTIC STUDIES CENTER NEWSLETTER
- UAL FISHSKIN
- UAL BRINGING FISHSKIN TO MARKET
- FISHSKIN CONFERENCE IN ICELAND 2019
- SDG 14 LIFE BELOW WATER FISHSKIN FOR FASHION
- ASC FASHION SKETCHBOOK WORKSHOP
- FULBRIGHT AWARD TO THE SMITHSONIAN INSTITUTION
- WENGFENG YOU HEZHEN FISHSKIN CRAFTSPERSON
- FISH SKIN NEW FRONTIER FOR ECOFRIENDLY FASHION
- SIX SUSTAINABLE ECO-FRIENDLY MATERIALS
- BUNKA GLOBAL FASHION
- SUSTAINABLE FASHION: FISH LEATHER
- NORDIC FISHSKIN WORKSHOP