FISHSKINLAB - Palomino, E. (2022) Indigenous Arctic Fish Skin Heritage: Sustainability, Craft and Material Innovation. PhD Thesis. University of the Arts, London.

Palomino, E. (2022) Indigenous Arctic Fish Skin Heritage: Sustainability, Craft and Material Innovation. PhD Thesis. University of the Arts, London.

The use of fish skinfor the construction of garments and accessories is an ancient tradition shared by coastal Arctic societies as a subsistence lifestyle depending on aquatic resources for food and clothing. Arctic Indigenous Peoples need formidable resourcefulness to thrive in inhospitable ecosystems; fish skins provide them physical and spiritual protection(5). During the last century, they resisted not only colonisation and repression by humans but also dramatic ecological changes in seafood security. Fish skin craft became a way to communicate traditional knowledge where practical benefits combined cultural resilience. As market goods have replaced traditional fish skin clothing, the need for the skills required to create these items have diminished. The decrease of local natural resources also threatens the craft.

The focus of this research is primarily to propose a vision of sustainability as an anthropological study of the resourcefulness and resilience of the Arctic Indigenous Peoples, their lifestyles, and fish skin practices. Secondarily it identifies the historical, cultural, environmental, and socioeconomic importance of fish skin as an innovative sustainable material, explored through the study of materials, processes and artefact analysis. Thirdly, the application of fish skin materials and craft practices has been tested through participatory workshops to explore how this material and the skill transmissions can contribute to sustainability practices in fashion.

The contribution to knowledge is firstly the mapping of fish skin craft participatory practices with Artic Indigenous communities as this is the first time that such a survey has been undertaken. The material study of fish skin and its contribution to fashion sustainability forms a secondary contribution.

https://ualresearchonline.arts.ac.uk/id/eprint/20124/