FISHSKIN PATTERN-BASED GARMENTS

Before the invention of synthetic fibres, people dressed in natural materials available in their environment such as skins and hides from local wildlife. The use of fish skin to create articles of clothing is an ancient tradition shared by Arctic societies along rivers and coasts, amongst them the Ainu Indigenous Peoples of Hokkaido Island (Japan). In this research we propose to use fish skin, a waste product of the food industry, as raw material for the fashion industry under the principles of zero waste. Throughout this project we recreated an Ainu fish skin robe, using digital tools and the material itself, as a means for gaining knowledge and experimenting with the use of fish skin for garment construction. The idea behind the project draws on the Ainu Indigenous Peoples’ subsistence resourcefulness and their heritage, with regards to traditional fish skin craft practices. The project thus connects between anthropology, ethnography, and craftsmanship with current interest in fashion sustainability, advanced digital technologies, and contemporary production processes in fashion. 

The Ainu garment is part of a study that hypothesises what would have happened if, during the Meji era, the Japanese, instead of making the Ainu shift from fishing to farming, had brought their own traditions, such as Katazome indigo dyeing, and blended them with the Ainu tradition of creating clothing from fish skin. The projects presented in this paper include a combination of different digital technologies and applications which were used to create a contemporary replica of an Ainu fish skin robe using a Japanese katazome indigo pattern. Firstly, we used the shape of an Ainu robe to create a fish skin module as a building block, and tested its relevancy for contemporary pattern making, and later introduced parametric design tools to test zero waste principals. We then used digital animation software to create an Ainu avatar and to recreate the fish skin garment situated in a virtual digital context. Finally following the digitally created garment, we have physically dyed in indigo the fish skins with Katazome stencils and lastly sewed a replica of the fish skin robe.

The project aims to preserve traditional Ainu fish skin knowledge and introduce new advanced digital technology to enable the design and production of zero-waste fish skins for fashion.

https://www.youtube.com/watch?v=Q78YIoiuSMU


https://www.uantwerpen.be/en/conferences/responsible-fashion/expo/



Ainu avatar created with Blender and CLO3D by Ana Cordoba Crespo .pngf2d98f82969cadaa4ed0452da89a5f76.pngReplica of an Ainu fish skin robe made with indigo katazome dyed fish skins..jpgFish skin robe created in CLO 3D from a two dimensioned segmented pattern previously illustrated using Adobe. .png Fish skin robe created in CLO 3D from a two dimensioned segmented pattern previously illustrated using Adobe. ...png Ainu Man from the series Fashions of Ainu in Hokkaido. Leonard A. Lauder Collection of Japanese Postcards.jpgAinu fishing. Hata, Awagimaru, and Japanese Rare Book Collection. Ezoto Kikan. Japan 1799. Library of Congress. Washington DC, USA19.jpgIndigo Katazome Dyed Ainu robe. Cotton. National Museum of Natural History. SI.jpgAinu fish skin robe 19th century Sapporo University Museum. Sapporo, Hokkaido, Japan.png