FISH SKIN LEGACIES
My article Fish Skin Legacies has been published in the latest issue of Expedition, the magazine of the University of Pennsylvania Museum of Archaeology and Anthropology:
https://www.penn.museum/sites/expedition/fish-skin-legacies/
The article explores the Penn Museum’s exceptional collection of late 19th-century Amur River material culture: fish skin robes, footwear, mittens, bags, sewing tools, household utensils and amulets. It is the result of years of dialogue with Indigenous fish skin artists and Elders, whose knowledge has guided this work at every stage. All my gratitude to Native Elders June Pardue (Sugpiaq/Iñupiaq), Anatoly Donkan (Nanai), Wengfen Yu (Hezhe), and Non Native Elders Lotta Rahme (Swedish), Shigehiro Takano (Japanese, engaged with the Ainu community) and indigo master Takayuki Ishii.
Publishing in Expedition is a true honour. First issued as the Museum Journal (1910–1935) and relaunched as Expedition in 1958, the magazine showcases the Penn Museum’s work in archaeology and anthropology. Today, it continues to engage readers with international research, museum collections, and contributions from scholars around the world. I never imagined I would one day be featured and with such wonderful graphic design.
Scholarship can be rigorous without losing its beauty. Publishing in peer-reviewed journals should engage the senses, honour craft, and reflect the richness of the subjects we study, especially when those subjects carry the texture, colour, and the Indigenous ecological knowledge of fish skin garments.
I am extremely grateful to Quinn Russell Brown for his careful editing, to Bill Wierzbowski for his generosity with the collections during my visits in 2022 and 2023, and to the graphic design team for their stunning work. Thanks also to Tena Thomason for her kind and steady guidance during the Penn Deep Dig: Arctic Fashion series. None of this would have been possible without Bill Fitzhugh’s invitation for a fellowship at the Smithsonian Institution Arctic Studies Center in 2019, and all the support of Stephen Loring. As Quinn notes in the Editor’s introduction, Bill Wierzbowski and Stephen Loring share a passion for Arctic clothing and a generosity that continues to shape the field. Warm thanks to the entire ASC team in Washington, D.C. and in Alaska, for their constant support.
- DIS-ROBING THE GUARDAROBA
- FISH LEATHER RENAISSANCE
- ARCTIC ENCOUNTERS
- MESOPOTAMIAN FISH SKIN
- ADORNMENTS FROM THE SEA
- FISH SKIN SUSTAINABILITY
- FISH SKIN LEGACIES
- A STURGEON SKIN POUCH
- DYE PLANTS FROM THE AMUR RIVER
- AINU ELM BARK FIBRES
- HEZHE FISH SKIN
- INDIGENOUS ARCTIC FISH SKIN
- MAX PLANCK RESEARCH REPORT
- UAL TACKLING CLIMATE ISSUES
- SMITHSONIAN OCEAN MAGAZINE: FISH SKIN
- DA GALLIANO ALLA CULTURA INUIT
- LCF PHD RESEARCHER PROFILE: ELISA PALOMINO
- SMITHSONIAN MAGAZINE FISHSKIN
- INNOVATION IN THE NORTHERN DIMENSION COUNTRIES
- FISH SKIN A HISTORICAL MATERIAL
- YOMIURI SHIMBUM FISHSKIN
- ELISA PALOMINO HORIZON 2020 FISHSKIN CONSORTIUM
- BRINGING FISH SKIN TO MARKET
- UAL MEET ELISA PALOMINO
- TEXTILES, IDENTITY AND INNOVATION
- HAKAI MAGAZINE
- ARCTIC STUDIES CENTER NEWSLETTER
- UAL FISHSKIN
- UAL BRINGING FISHSKIN TO MARKET
- FISHSKIN CONFERENCE IN ICELAND 2019
- SDG 14 LIFE BELOW WATER FISHSKIN FOR FASHION
- ASC FASHION SKETCHBOOK WORKSHOP
- FULBRIGHT AWARD TO THE SMITHSONIAN INSTITUTION
- WENGFENG YOU HEZHE FISHSKIN ARTIST
- FISH SKIN NEW FRONTIER FOR ECOFRIENDLY FASHION
- SIX SUSTAINABLE ECO-FRIENDLY MATERIALS
- BUNKA GLOBAL FASHION
- SUSTAINABLE FASHION: FISH LEATHER
- NORDIC FISHSKIN WORKSHOP



